new yorker那篇影评很好:His songs or arias offer little inner portraiture, only the most apparent declarations of motives, with the sole exception of his references to “the abyss” and to his grave error of gazing into it—comments of a hand-waving vagueness that simultaneously glorify and trivialize the antihero.
Epic. 喜欢第二部大大胜过第一部果然魔幻现实更合我口味吗( 剧本本身就好尖锐得使人发笑的台词完全切合millenials心境编排的节奏和构思也好性快活尤其喜欢天使和木偶部分mind-blowing第一部的主角在欲望和现实撕扯得痛苦;第二部在狠心直面欲望之后痛苦之外竟生出了解脱Repercussions自然有:若非如此何来救赎人啊脆弱又顽强的生物哪怕生不如死还是要恳求天使:I want more life. 第一部旋转的独立房间和第二部的升降舞台都喜欢霓虹废土末世天堂 角色里莫名喜欢Belize自始至终看得清醒能潇洒撇得开又极富怜悯心加菲不歇斯底里大吼的时候我真的很可以(喂